Closed today

By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

Slam

Catno

COMA 127015

Formats

1x Vinyl 12"

Country

Denmark

Release date

Jan 1, 1991

Discogs user says: "Smiling here like a cheshire cat with goosebumps with this weapon blasting ...UNFUCKINGBELIEVEABLE.." Early Denmark acid house / techno!

Discogs user says: "Smiling here like a cheshire cat with goosebumps with this weapon blasting
...UNFUCKINGBELIEVEABLE.."
Early Denmark acid house / techno!

Media: VG+i
Sleeve: VG+

70kr*

Sold out

*Taxes included, shipping price excluded

A1

Slam (Baby Mix)

3:36

A2

Slam (Shake's Revenge)

6:29

A3

Bonus Bee

1:33

B1

Slam (Mental Coma Dub)

5:15

B2

Slam (T.B.M.1 Shout Mix)

3:36

B3

Slam (Instru-Mental)

3:36

Other items you may like:

Sout African afro-synth disco classic! A must have for every serious disco boogie synth collection.Press text________________________________________Four tracks by one of the biggest names in South African disco: Condry Ziqubu. A regular on the local soul scene since the late 1960s in groups such as The Flaming Souls, The Anchors and The Flaming Ghettoes, by the mid-80s he had qualified as a sangoma (traditional healer), recorded with Harari (the biggest group in the country at the time), fronted his own group Lumumba, and travelled the world as part of Caiphus Semenya and Letta Mbulu’s band.In 1986 he ditched Lumumba and released his first solo hit, ‘Gorilla Man’. Opening with an audacious 20-second intro, the song tells the story of a man preying on women in downtown Johannesburg. It highlights Condry’s winning formula of lyrics that touch on everyday South African issues and places (without drawing the attention of apartheid censors). Musically the song draws obvious influence from Piano Fantasia’s 1985 Euro-disco hit ‘Song for Denise’.Also included on this new anthology is another song from the same album, the politically charged ‘Confusion (Ma Afrika)’, as well as ‘Phola Baby’ from his 1988 album Pick Six – a call to men to “stop pushing your woman around … what kind of man are you?” – and ‘Everybody Party’ from 1989’s Magic Man, a straight-up party song with no political or social intimations, other than as a brief escape from the harsh reality of the time, one that still resonates today.
Dude, it´s like it´s disco music. But´s it´s also house music. At the same time! What the fuuuuuuu
If you like the look of the label then you´ll like the sound of the music.
Yeah yeah - You buy it for the house dub mix, but the original grows on you!
‘Antidawn’ reduces Burial’s music to just the vapours. The record explores an interzone between dislocated, patchwork songwriting and eerie, open-world game-space ambience. In the resulting no man’s land, lyrics take precedence over song, lonely phrases colour the haze, a stark and fragmented structure makes time slow down.‘ Antidawn’ seems to tell a story of a wintertime city, and something beckoning you to follow it into the night. The result is both comforting and disturbing, producing a quiet and uncanny glow against the cold. Sometimes, as it enters 'a bad place', it takes your breath away. And time just stops.