Rivet
Running Thick

Experimental doom dub.

Yasuaki is fairly known because of Kakashi, he released plenty of other music thats stunning as well.. This is one those works - having achieved near-mythical status in the last few years, which have seen artists such as Oneohtrix Point Never sing its praise.Originally issued by Crammed in 1987, this is one of the most sought-after releases in our legendary Made To Measure series. Known for his numerous albums, soundtracks, and collaborations with the likes of Ryuichi Sakamoto, Van Dyke Parks, Pierre Barouh, Björk & Elvin Jones, composer & saxophonist Yasuaki Shimizu also released, during the 80s, several electronic music productions which are currently generating a lot of interest (a.o. his recently reissued Mariah project). "Music For Commercials" is a brilliant and inventive collection of short pieces, initially conceived for Japanese TV commercials (and bearing sweet titles such as “Seiko”, “Sharp”, “Honda” etc).

Try and listen to the title track while not moving anything on your body at all. No es posible, amigos!

4 floor-ready remixes of great 94´trancer.

A leading force in the dub techno/glacial drone scene of present.______________________________PressThere isn’t much to go on other than the soundscapes when it comes to Civilistjävel! What is rumoured to be a figment of the pre-internet era tapping into a similar consciousness as Biosphere, Chain Reaction or early Fax +49-69/450464 is ultimately left up to second guessing. For the average listener crossing paths with the project, a steady run of small-run, minimally packaged LPs has cemented Civilistjävel! as a leading force in the dub techno/glacial drone scene of present.However niche that may sound, this collection of tracks for Perko’s new FELT imprint navigates the same territories as the previous outings but with the folkloric tag “Iron Night” to help guide our ears. A Swedish expression for long nights of frost that damage plants and crops, the spectral and foreboding atmosphere of the opening cut already hints at the direction of the album. Combining dense ambient synth layers with hard to place industrial motifs (sometimes in rhythm, sometimes chaotically arranged are what Civilistjävel! does best, indeed Järnnätter unfolds as a piece of work you can really spend time with. At points it feels as if the machines in some old factory complex have spluttered back to life through some unknown force and have begun to sing to one another. Other times the atmosphere is akin to a hydrophone placed deep into an ice-covered lake and the synthetic pulses of ‘A2’ are the only vaguely human touch. However, the sparse melodic flourishes across the record stem from an interest in psalms and early Swedish folk music, the juxtaposition of machine-led intuition and personable studiousness adding a hidden depth to the album.If the collectability of previous Civilistjävel! outings are anything to go by, we encourage you to act fast!Artwork by Rebecka Holmström.

Enter the escapism of Ryan James Ford. 'Exshaw' delivers ambient, breakbeat, broken beat and of course techno. Dark Berlin style.