Various
Chiquita

Ambient techno experiments.

The title is helpfull if in doubt about the content of this record.

Dreamy stones rmx

Progression and creativity are keywords regarding James Plotkin’s oeuvre. Beginning with the relentless, ever evolving and hallucinating music of OLD, through his many solo records and collaborations, to the surreal heavy-weight sound of Khanate, he’s always been bound to be personal. And quality stuff. Proof of quality are these instrumental demos of his landmark album of experimental music “Joy of Disease”. Electronic dark psychedelic music to listen carefully at night, these are not half-baked demos. They have been considered worth sharing by master self-editor Plotkin, and it’s such an honour to release them. "The Joy of Disease: Demos and Remixes" showcases the initial recordings in preparation for the cult-favorite Joy of Disease album, released in 1995 on John Zorn's Japanese Avant label. These early home-recorded instrumental versions are supplemented by unreleased remixes from Plotkin and co-producer Mick Harris of Napalm Death/Scorn fame. The remixes were done during the original album

Technoooooo.

Composer, producer, percussionist Jamire Williams applies sound collage practice to modern jazz composition, beat production, MC/vocalist features, and his uniquely impressionistic drumming style to make the deeply spiritual But Only After You Have Suffered – an album as akin to minimalist painting as an art-house film soundtrack or a classic hip-hop mixtape.A creative collaborator of Solange Knowles and a first-call drummer for the likes of Jeff Parker, Blood Orange & Moses Sumney, on his new album Williams brings together artists from his hometown of Houston (vocalists Corey King, Lisa E. Harris, Fat Tony, Jawwaad Taylor), those he became close to over several years living in LA (Sam Gendel, Zeroh, Mic Holden, Josh Johnson, fellow International Anthem artist Carlos Niño), and other creative partners from his life-long journey in sound (Chassol, Svet, Kenneth Whalum).As such, But Only After You Have Suffered builds its own world from the pull between Jamire’s jazz heritage - eleven years as a drummer in NYC recording with world-renowned musicians like Jason Moran, Christian Scott, and Dr. Lonnie Smith - and the experimental, narrative art-pop of his more recent work with Solange, Moses Sumney, and Blood Orange. Its origins can also be traced to his 2016 solo percussion album /////// Effectual (released by Leaving Records) - a turning point for Jamire, who has since embarked on a process of stripping back and breaking down his musical identity, creating a new sound from the fragments that most speak to his experience as a musician and a person.Rooted in his faith, Jamire opens the album with “Hands Up,” a devotional hymn cut against the stark reality of the modern world that sounds like an apocalyptic middle-grounding of Kendrick Lamar’s To Pimp A Butterfly and Merry Clayton’s “Gimme Shelter.” Whether in the rousing, spiritual “Just Hold On” or the fluid verses of Fat Tony on “Safe Travels,” the music exists in the tension between higher realms and social realities - what Jamire calls the “duality of a personal thing and what I’m seeing in my community, in the Black community, as a Black man.”The album reaches its climax on “Pause In His Presence,” which features a chilling operatic performance from Lisa E. Harris, recorded in one take off the back of a single conversation and a shared vision between the two artists. “Every time I hear that song, I cry,” Jamire says. “It’s so real.”Having recently moved back to Houston, the release of But Only After You Have Suffered marks a moment of Jamire coming full circle. A literal homecoming and his arrival as an undeniably multifaceted artist in his own right.