Dave Angel
Funk Music

Techno/house - and a Marott remix!

It doesn't get more soothing than this. If you are in the emotional corner, this might make you cry. Want to b one with nature and yourself. Let Alice help you.Press text______________________________Morning Trip & Yoga Records are proud to finally reveal one of the ultimate lost masterworks of new age music: Alice Damon’s Windsong. Gently propelled by Damon's haunting breath-of-life vocal winds reminiscent of Joan La Barbara underscored by field recordings and Damon's fretless bass sound calling to mind mid-70 Joni Mitchell, Windsong is traveling music, for the roads or for the skies. Instantly moving, it conjures vistas both romantically familiar and cosmically mysterious — waterfalls and wind, the voice of the earth, as heard through heavenly prisms.Damon attended college in Massachusetts, where she formed and fronted the all-female garage band called The Moppets in the late 60s. The band began to garner national attention, but Damon moved instead to the wilds of northern Vermont to homestead and raise a family. In 1981 or thereabouts she was able to gain use of an early Sony digital home recorder, and created her masterwork, Windsong.But Damon waited until 1990 to release a packaged version of this album, now titled "Windsong II", and sent samples to regional distributors like Vermont’s fabled Silo-Alcazar, where a copy of the album was first discovered, but little evidence exists of a proper commercial release. Alice Damon passed on in 2011 and remained essentially unknown until the landmark I Am The Center: Private Issue New Age In America 1950-1990 first revealed her genius to a wider audience two years later. Now, just in time for the recording's 40th anniversary, Alice Damon's Windsong may at last be heard as one of the most singular, moving and profound examples of new age music's psychedelic essence. Morning Trip & YogaRecords proudly present Windsong.

New vaporous LP from Aboutface. A climate emergency-themed project combining field recordings, spoken word, lucid dreaming with leftfield, ambient and dnb. TIP!Press text, which is way too long.. 🤣__________________________________Gatefold Vinyl. Limited Edition. A self-release. All artist profits from this release are to be donated to Extinction Rebellion’s legal fund to help provide counsel to those protesting against contributors to the climate emergency, much needed since the UK government have decided to criminalise disruptive protesting, at a time when civil disobedience is urgently needed most to force action and help mitigate the climate emergency. Conceptual artist Aboutface reveals his vaporous new LP, a vital climate emergency-themed project which utilises poetry collected from his dreams alongside sound recordings captured during polar expeditions to Antarctica’s most vulnerable areas c/o the Alfred Wegener Institute - a centre for polar and marine research. Featuring long-term violin collaborator Taro and dream prose reciter Leyla Pillai, it explores a surreal intersection between the collective dream realm and the disappearing polar cryosphere. The water that glows like dancing glass cuts crimson comes after his warmly-received debut LP on revered experimental London label AD93. Released last September, the four-tracker titled °s was inspired by patterns found in urban nature, such as the fibonacci sequence, and it also introduced Aboutface’s lucid leanings into poetry as an inspiration source to spur sound creation. Weaving between experimental, ambient and leftfield territory, his follow up comes off of a three-month period of dream journaling. “A recurring theme of flooding came through,” he explains. “I’d see a railway line that led into the sea; a room filled with seawater; a city centre flooded.” He’d become adept at recalling their content in more detail, which was further aided by a meditation practice to prolong the hypnopompic state - the state of consciousness leading out of sleep. “Revisiting and reflecting on this theme, I decided to pursue a project based on glaciology and rising sea levels. Following some initial research, I initiated a dialogue with the Alfred Wegener Institute, who kindly granted access to their incredibly valuable expedition recordings. A lot of these are taken from polar locations that aren’t there anymore, as well as the mammals that once inhabited it, because the glaciers and ice shelves are retreating rapidly. This LP presents a piece of aural history in that regard.” Another interesting development in Aboutface’s processes was his ability to see dream prose. Sections of text literally seen in his dreams became the song titles in advance of the music being made and influenced the songs through musical interpretation. “Take the title track - I saw this line of text typed out in red on an old typewriter.” Next came his acrylic painting of a glacier with a background made from recycled plastic cosmetic bottles collected from the UK’s coastlines. Aboutface and violinist Taro would then take turns performing to and in front of the painting as a guide. “The track starts off with traditional harmonious nature sounds - birdsong, a gentle stream and insects. It progresses to synthetic representations of nature in a dystopic future, such as the sounds of a printer mimicking a seagull, and the metallic drones of machinery being shaped to imitate the crashing of sea waves. Taro used his violin to interpret the painting textures and an acceleration of glacial ice density loss and subsequent climate destruction - his playing starting as a gentle meandering, then progressing to sharp foreboding arpeggios all in one 12-minute improvised take. I then used this as the master unedited template to build my own musical interpretations and composition around.” Perhaps the most poignant of the tracks is the opener. Featuring the evocative sound of ice falling into the sea and breaking away from an ice shelf that’s since retreated towards the Antarctic landscape, the track is a masterclass in affective composition. “ ‘Small hands and feet in the sand show you the great illusion’ comes from a dream in which I saw a group of children on the beach, articulating their perspective through drawings in the sand, revealing the truth in what’s truly important, right now and for our future. You can hear sea leopard calls throughout which sounds like underwater lasers reflecting off the glacial base. I shaped and composed their vocalisations to have an evocative impact on the listener, which I think is achieved, especially with the pensive quality and prowess of Taro’s playing.” Concerned with a lack of transparency of the true environmental impact of music releases, Ben is also including an essay which highlights the hidden environmental cost of current music consumption, and the potential reforms to stimulate industry action with the aim to contribute to music becoming more environmentally sustainable and energy transparent. Enabling consumers and artist’s alike to exercise their judicious right to make an environmentally informed choice to release or consume music, in a time of climate emergency. Eco-friendly recycled vinyl , limited to 300 copies only. Mastering and lacquer cut by Ruy Mariné at Dubplates & Mastering. Meditators are also invited to immerse themselves in a bonus package of polar soundscape compositions, crafted by Aboutface for guided dream meditations to aid lucidity and recollection. Available on request.

40 minutes of sonic meditation ! tip! absolute astonishing!

Surgeon on a deep ambient expedition. Join him